ABOUT
Halim
I am Halim. I live in Bukit Purmei, in a flat where the corridor bulb hums on humid nights and the lift mirror has a smudge at exactly my shoulder height. I work in facilities scheduling — maintenance rosters, vendor calls, the quiet bureaucracy of keeping buildings running — which means I spend my days thinking about what fails slowly and my evenings noticing what holds. I started MindBeam because I wanted a place to keep the small beams before they moved on.
I write about Kampong Bahru, Spooner Road, the coffee shop where I order teh peng without opening my mouth, the stairwell where I count twenty-three steps on the first flight, the bus stops between Outram and home. I am not a journalist, not a critic, not anyone with credentials worth listing. I am someone who carries a hand torch in his bag and believes attention is a kind of courtesy — you point, you hold, you do not pretend the rest of the room is lit when it is not.
What I notice: condensation rings on formica. The second when a stairwell bulb hesitates. An umbrella tilted half a degree toward a stranger. The lane of lamps on Spooner Road that I walk when I want the city to speak less loudly. I write in first person because these are my eyes, my routes, my incomplete maps. I do not speak for my neighbours or for Singapore as a whole.
I grew up between rental flats and family rooms before this address became mine — not because it is grand, but because I know which step creaks and which uncle at the provision shop asks if I have eaten. Bukit Purmei is not a backdrop. It is the room I walk through with a narrow beam.
If you read something here and think I have got a detail wrong — a road name, a direction, a memory — please write to me. I would rather correct than perform certainty I do not have.
I write when an hour leaves a circle on the floor I cannot stop looking at — not dramatic, just persistent. That is enough.
A note on this blog
MindBeam is written by one person with a torch and a habit of noticing. These entries are memoir-adjacent notes from my own routes — not guidance of any professional kind. I describe places as they appear to me after dark or over tea; others may see them differently. Corrections are welcome.